Here’s the elevator pitch: It’s “Left, Right, and Center” meets “Siskel and Ebert.” Three friends from different ideological perspectives discuss the movies and...
On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the blight of the Inappropriate Laughers. (Here’s a gift link to the New York Times piece we reference.) Then they review I’m Still Here, the, uh, other foreign language film nominated for best picture at this year’s Oscars. Make sure to swing by Bulwark+ for our bonus episode Friday on the next generation of movie stars. And if you enjoyed this episode, please share it with a friend!
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39:02
The Best Movies of 2024
Some websites and podcasts start putting out their best-of lists on December 1. Not Across the Movie Aisle. We want to make sure you had plenty of time to see all the award-season stuff. If it takes until February, well, so be it. If you enjoyed this episode, share it with a friend!
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52:12
An Unsettling 'Presence'
On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the, frankly, bonkers number of nominations received by Emilia Perez. Will the Academy favor it for best picture as a way to stick it to Trump? Then they review Presence, Steven Soderbergh’s new haunted house movie told from the perspective of the ghost. Is it just a formal experiment, or something more? Make sure to swing by Bulwark+ on Friday for our Steven Soderbergh draft. And if you enjoyed this episode, share it with a friend!
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46:29
'September 5,' Working Amidst Terror
On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) ask what, precisely, Trump’s “ambassadors to Hollywood” are supposed to be doing. Then they review September 5, the harrowing tick-tock examination of how ABC Sports covered Black September’s terrorist attack at the Munich games that led to the slaughter of nearly the entire Israeli Olympic team. If you enjoyed this episode, please share it with a friend!
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52:45
'The Brutalist,' a Near Masterpiece
On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) broke down why the PVOD window has settled where it settled. Then they review The Brutalist, Brady Corbet’s three-and-a-half hour portrait of artistry and immigration and assimilation in America. (We know this movie isn’t out in most of the country yet, so we tried to keep it pretty spoiler free until minute 30. There is a warning in the audio file, but just as a heads up: stop listening at minute 30 if you’re worried about spoilers!) If you enjoyed listening, please share this episode with a friend!
Here’s the elevator pitch: It’s “Left, Right, and Center” meets “Siskel and Ebert.” Three friends from different ideological perspectives discuss the movies and controversies (or nontroversies!) swirling around them.
Bulwark+ members enjoy weekly bonus episodes here (https://atma.thebulwark.com/) .
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