Film Stories with Simon Brew

• Gremlins 2: The New Batch (1990) and Waiting For Guffman (1996)

  After the huge success of the original Gremlins, Warner Bros quickly wanted a sequel. The people who'd actually made Gremlins, not least director Joe Dante? The thought of making another was not in the slightest big appealing. Until, many years later, the studio made Dante an offer: if you make Gremlins 2, you can do pretty much whatever you want with it. This is the story of how the ensuing film became one of the most boldest blockbuster sequels of all time. Later in the same decade, Christopher Guest took a small company of actors down to Texas for a month. On a modest budget, he shot over 50 hours of footage, that'd take over a year to edit into a feature film. Even when the resultant movie, Waiting For Guffman, was finished, it took a long time to earn its reputation as a modern comedy classic... Stories of both films are told in this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• In conversation with Mario and Mandela Van Peebles

  Mario Van Peebles was in London in early February along with his son, Mandela. And the pair stopped by for a long chat about their work, their latest film - Outlaw Posse - and a whole lot more. In this chat, topics include Jaws: The Revenge, the role of a producer, Melvin Van Peebles, the hidden names in the end credits of Outlaw Posse, New Jack City and a whole lot more... Learn more about your ad choices. Visit megaphone.fm/adchoices

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• A Knight's Tale (2001) and King Arthur: Legend Of The Sword (2017)

  Coming off the back of the film Payback, Oscar-winning writer/director Brian Helgeland feared he might be in movie jail. Thus, he got writing, and came up with A Knight's Tale, a film mixing jousting, modern music, Heath Ledger, and a naked Paul Bettany. It took months to shoot in Europe. When it came to the music, David Bowie turned up. And then there's the tale of its sequel that never was. King Arthur: Legend Of The Sword meanwhile was to be the first of six films, as originally pitched. Guy Ritchie came in to direct, and star Charlie Hunnam would admit that the film they started making wasn't the one they ended up with. Quite the story, though. Includes elephants and David Beckham. Tales of both are told in this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• September 5 (2024), with co-writer and director Tim Fehlbaum

  In an extra episode of the Film Stories podcast, Simon is joined by director Tim Fehlbaum, as they discuss his new film, the Oscar-nominated September 5. As always, it's a far-ranging conversation, taking in Fehlbaum's earlier work, a name on the end credits of the film, and the attention to detail in making the movie. Plus, a few thoughts on the technical similarities with Saturday Night as well. September 5 is now out in UK cinemas. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Zodiac (2007), plus Brady Corbet

  The path to 2007's Zodiac started when a then-19-year old managed to take out an option on a best-selling book. Then, a few years later, he inked a deal with Disney to make the movie. Fate took a few turns though, and it was the collapse of an $80m television series that would bring David Fincher to the eventual movie. Some people were expecting a film along the lines of Fincher's Seven though. They did not get it... For the second half of this episode, Oscar-nominated director Brady Corbet then joins the podcast to talk about his film The Brutalist, the challenges of which have been well documented. Over a lengthy chat, he talks about the film, the question he's not asked, and - it says here - there's a bit about toilet roll too... Learn more about your ad choices. Visit megaphone.fm/adchoices

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