Wētā FX’s Unsupervised brings you personal perspectives from the front lines of modern visual effects.
VFX professionals seldom find the time to sit back and r...
VFX Supervisor Anders Langlands journeys back to Gotham City with Compositing Supervisor Beck Veitch and CG Supervisor Stephen Tong for a discussion about wild lens flares through smeared glass, creating a Bat-cave and doing complex facial replacements. And also making a very wet car chase that started out dry.
Wētā FX's Unsupervised is a Studio 801 Production. This episode was recorded at Taia Studios and was edited by Maxwell Barrett and Wims Wimmers. Dave Gougé is our Executive Producer.
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52:48
Shang-Chi and the Legend of the Ten Rings
VFX Supervisor Sean Walker, Animation Supervisor Karl Rapley, CG Supervisor Joanna Davison and Composting Supervisor Sabine Laimer sat down to discuss their work on Shang-Chi and the Legend of the Ten Rings. They cover the epic third act VFX, from the dragons and the soul-sucking demons, to the magical effects, hero stunt moves, and complex water simulations.
Wētā FX’s Unsupervised is a Studio 801 Production. This episode was recorded at Taia Studios and was edited by me Maxwell Barrett and produced by Jordyn James-Maxwell. Dave Gougé is our Executive Producer.
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59:44
Black Widow
VFX Supervisor Sean Walker and Animation Supervisor Karl Rapley discuss Russian helicopters being “flown” over Wellington to Norwegian mountain ranges in Russia, and more insights about our work on Black Widow.
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26:38
Shadow in the Cloud
Animation Supervisor Anneka Fris and Visual Effects Supervisor Stephen Unterfranz sit down to discuss their experience working on Shadow in the Cloud.
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25:29
The Umbrella Academy 2
VFX Supervisor Chris White and Animation Supervisor Aidan Martin are back to discuss their work on The Umbrella Academy Season 2, including Baby Pogo and a talking goldfish called AJ Carmichael.
Wētā FX’s Unsupervised brings you personal perspectives from the front lines of modern visual effects.
VFX professionals seldom find the time to sit back and reflect on a project upon completion. That leaves us wondering - what’s it like to work on these feature-length films? We want the inside scoop without reserve. And so, we’ve pulled some of our artists aside, put them in a room and let the conversation flow.
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