New Books in Critical Theory

What would the Enlightenment look like if we viewed it through the eyes of the philosophers as they were facing death? Joanna Stalnaker turns our usual perspective on the Enlightenment on its head, bringing to light a set of works written at the end of the Old Regime and at the end of their authors’ lives. These works, all written before the French Revolution, cast a retrospective glance over the intellectual movement their authors participated in, and over the authors’ own lives and works. Stalnaker shows that the beauty of these works stems from their authors’ efforts to give literary form to the materiality and fragility of their dying bodies. As they reflected on writing as a means of reaching posterity, Enlightenment philosophers embraced the possibility that neither their names nor their writings would survive long beyond the decomposition of their bodies. They inscribed the silence and nothingness of death into their last works.

Stalnaker’s book The Rest Is Silence: Enlightenment Philosophers Facing Death (Yale UP, 2025) unsettles reigning interpretations of the Enlightenment as a precursor to our modernity and shows its protagonists at their moments of fragility and doubt, capturing their sense of an ending rather than the confidence in a glowing future so often attributed to them.

Joanna Stalnaker is professor of French at Columbia University. She is the author of a prizewinning first book, The Unfinished Enlightenment: Description in the Age of the Encyclopedia. She lives in New York City.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

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Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region’s geography.

From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized.

Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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The study of French science fiction – even in France – remains an underexploited field. Only recently have French literary scholars been able to gain recognition for the validity of studying SF, but their works are often literary histories. Reimagining the Human in Contemporary French Science Fiction (Liverpool UP, 2023) is the first book-length study to take into account both French and Anglo-American intellectual trends, theories, and SF scholarship and apply them to a corpus of French works. It shows how contemporary French SF imagines two broad philosophical inquiries into the powerful, yet terrifying geological age of the Anthropocene: posthumanism and transhumanism. While the posthumanist perspective calls attention to the interdependence and co-evolution of humans and nonhumans within a complex ecosystem of life, the transhumanist view of coping with the Anthropocene offers more pragmatic, tool-based solutions, rather than a reworking of the human imagination. Given the history of philosophical thought’s entanglement with literature in France, French SF can tell us a lot about this existential crisis of Anthropos as both destroyer and savior of worlds and bodies alike. With a focus on encounters between humans, nonhumans, and posthumans in selected works, this book investigates both the immaterial (the psychological state of the mind) and material (the body) stakes of posthumanist or transhumanist thinking in French SF.

Guest Christina Lord is Associate Professor of French at the University of North Carolina Wilmington. As a scholar of French and francophone studies and science fiction (sf) studies, she often writes about nonhuman beings in literary and visual storytelling. In addition to Reimagining the Human She has published essays in Nineteenth-Century French Studies, Oeuvres et Critiques, Studies in the Fantastic, and European Comic Art, among others. She also serves as contributing editor for the section on “Speculative Studies in French” for the bibliographic journal, The Year’s Work in Modern Language Studies. Her current research focuses on transnational and transmedial processes of circulation, recycling, and adaptation of sf imagery and narratives. Her current work focuses on the "alien aesthetic" of Denis Villeneuve’s sf films and the iconography of mid-twentieth century French comics, Valérian et Laureline.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript underreview on posthumanist ecological engagement in the surrealist movement.
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A novel and scientific approach to creating transformative social change—and the surprising ways that each of us can help make a real difference. Changing the world is difficult. One reason is that the most important problems, like climate change, racism, and poverty, are structural. They emerge from our collective practices: laws, economies, history, culture, norms, and built environments. The dilemma is that there is no way to make structural change without individual people making different—more structure-facing—decisions. In Somebody Should Do Something: How Anyone Can Help Create Social Change (MIT Press, 2025) Michael Brownstein, Alex Madva, and Daniel Kelly show us how we can connect our personal choices to structural change and why individual choices matter, though not in the way people usually think. The authors paint a new picture of how social change happens, arguing that our most powerful personal choices are those that springboard us into working together with others—warehouse worker Chris Smalls’s unionization at Amazon is one powerful example. Taking inspiration from the writer Bill McKibben, they stress how one “important thing an individual can do is be somewhat less of an individual.” Organized into three main parts, the book first diagnoses the problem of “either/or” thinking about social change, which stems from the false choice of making better personal choices or changing the system. Then it offers a different way to think about social change, anchored in a new picture of human nature emerging across the social sciences. Finally, the authors explore ways of putting this picture into practice. Neither a how-to manual nor an activist’s guide, Somebody Should Do Something pairs stories with science (plus some jokes) to help readers recognize their own power, turning resignation about climate change and racial injustice into actions that transform the world.

My guests today are Michael Brownstein, Alex Madva and Daniel Kelly. Michael is Professor and Chair of Philosophy at John Jay College and Professor of Philosophy at the Graduate Center, Cuny. Alex is Professor of Philosophy, Director of the California Center for Ethics and Policy, and Co-Director of the Digital Humanities Consortium at Cal Poly Pomona. Daniel is Professor of Philosophy at Purdue University.
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Contemporary French and Francophone Futuristic Novels: The Longing to be Written and Its Refusal (Palgrave
Macmillan, 2022) sheds a new light on the metafictional aspects of
futuristic and science fiction novels, at the crossroads of information
and media studies, possible worlds theories applied to cognitive
narratology, questions related to the criticism of post-humanity, and,
more broadly, contemporary French and Francophone literature. It
examines the fictional minds of characters and their conceptions of
resistance to the anticipated worlds they inhabit, particularly in
novels by Pierre Bordage, Marie Darrieussecq, Michel Houellebecq, Amin
Maalouf, Jean-Christophe Rufin, Antoine Volodine, and Élisabeth
Vonarburg. It also explores how corporal postures serve as a matrix for
philosophical quests in novels by Amélie Nothomb, Alain Damasio, and
Romain Lucazeau. More specifically, from the fictional readers’ points
of view, it provides a critical approach to the mythologies of writing,
in the wake of the French philosophical tales by authors including
Cyrano de Bergerac and Voltaire, to question the traditionally expressed
formulations of the mythologies of writing, that is, of the metaphors
of the book (the book of life, nature, and the world), to rethink the
idea of a humanity within its limits.

Guest Emmanuel Buzay is currently working as an international
technical expert for the Modern Language Association and the French
Embassy in the US, having previously held appointments at UMass Amherst
and the University of Connecticut. In addition to this monograph, he has
published book chapters on topics from Frankenstein to Michel Houellebecq, and his articles have appeared in Nouvelles Études Francophones, Res Futurae, and Contemporary French and Francophone Studies.

Host Gina Stamm is Associate Professor of French at The University of
Alabama, with research concentrated on the environmental humanities and
speculative literatures of the 20th and 21st centuries, from Surrealism
to contemporary science fiction and feminist utopias, in Metropolitan
France and the francophone Caribbean, with a book manuscript under
review on posthumanist ecological engagement in the surrealist movement.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory