New Books in Psychoanalysis

James Baldwin’s “Going to Meet the Man” is a powerful short story that describes the life of Jesse, a 42-year-old white police officer whose experiences alternate between his present-day struggles with impotence and his memories of racial violence. As the narrative unfolds a pivotal childhood memory of a lynching, sets the tone and comes to represent the fundamental weakness of white supremacy. His need for racist violence to regain potency suggests that the system of white supremacy requires constant reinforcement to maintain itself. Projective identification, a powerful mechanism of defense, also plays a significant role in exploring the complex psychological dynamics of racism and its impact on both the oppressor and the oppressed. Dr. Karyne E. Messina is a psychologist and child, adolescent and adult psychoanalyst. In addition to maintaining a full-time private practice in Chevy Chase, Maryland, she is on the medical staff of Suburban Hospital in Bethesda, Maryland which is part of Johns Hopkins Medicine. She is a podcast host for the New Books Network and chair of the Department of Psychoanalytic Education’s (DPE) Scholarship and Writing section which is part of the American Psychoanalytic Association (APsA). She is a member of the AI Council of APsA (CAI). She has also written and edited seven books. Her topics focus on applying psychoanalytic ideas to real-world issues we all face in our complex world. Dr. Felecia Powell-Williams is a child and adolescent supervising psychoanalyst at the Center for Psychoanalytic Studies in Houston, Texas, where she also holds the position of President of Board of Directors. Dr. Felecia Powell-Williams is also a faculty member in the Child and Adult Training Programs. In addition, she provides clinical supervision for the State of Texas licensing board, as well as supervision as a Registered Play Therapist-Supervisor with the Association for Play Therapy. She is also the chair of the Department of Psychoanalytic Education’s (DPE) Diversity section which is part of the American Psychoanalytic Association (APsA). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud’s sharpest and most adamant critic, Frederick Crews has been debating Freud’s legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud’s extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what’s so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he’s going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

In Chaos and Control: A Psychoanalytic Perspective on Unfolding Creative Minds (Routledge, 2018), psychoanalyst and painter Desy Safan-Gerard explores creativity, its psychodynamics, prerequisites, and possible blocks, and then engages in an extensive examination of her own creative work and process. Major themes include the importance of both accident and destructiveness for the creative artist. Included are meditations on some of the common biases and pitfalls in the analysis and therapy of creative people, the role of the accidental in creative work, the nature of creative blocks, passion and its absence, as well as the problem of being able to exercise one's freedom. The author describes the special needs of creative patients, the common problems arising in therapy, its solutions, and, most importantly, the analyst's distinctive role when dealing with such patients. She also probes into the role of narcissism, neurosis, and psychosis on creative work. Her examination of her own work includes detailed introspection into the psychological processes behind the creation and the meanings of various of her works, and one of the riches of the book is its inclusion of a great variety of reproductions of her paintings. Akilesh Ayyar is a spiritual teacher and writer in New York. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Bion and Thoughts Too Deep for Words: Psychoanalysis, Suggestion, and the Language of the Unconscious (Routledge, 2020) is Robert Caper's most recent book, and it offers a sustained exploration and discussion of key problematics that have informed psychoanalysis since its inception. Caper offers a nuanced discussion of psychotherapy's tendency to fall into suggestion, and thus move away from an exploration of the truth, which he considers to be psychoanalysis's central task. The psychoanalyst has to mirror back to the patient who they are, rather than keep them in a state of blithe affirmation, and thereby inspire in them the notion that the therapist, like the analysand, is unwilling to explore what lies beneath the rubble of conscious beliefs and statements. In his discussion of these matters, Caper draws on a wide range of thinkers, most importantly that of W.R. Bion, asserting that there are always "thoughts too big for words," which is a reminder that there is always more. He hightlights the importance of the aesthetic drawing on Meltzer, and he introduces a new distinction between maternal and paternal container. I greatly enjoyed both reading the book and talking to Robert, and I happily recommend this book to anyone seeking to reconnect to psychoanalysis's foundations, utilizing the British school's key thinkers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis