Celebrating Cinema

This year, vampires emerge from the shadows once more with Robert Eggers’ haunting reimagining of Nosferatu. But why does the vampire continue to linger in our cultural imagination? In this episode, hosts Laura Gommans and Tom Ooms embark on a cinematic journey through the dark, blood-soaked history of vampires and night stalkers. From terrifying symbols of society’s deepest fears to complex, oddly relatable figures, they explore how these creatures of the night have evolved. What began as a reflection of our anxieties has transformed into a mirror of our own desires, struggles, and yearnings. Join them as they unravel the vampire’s enduring appeal and ask: are these bloodsuckers misunderstood souls searching for something deeper than just human blood? Tune in—if you dare—and uncover why these creatures of the night refuse to let go. Get tickets to Lust For Blood program Get tickets to CC Film Club: Juice Listen to our conversation with Twilight director Catherine Hardwicke Show Notes and Films Mentioned

In a village under constant threat of displacement, where homes and schools are torn down and the land is slowly seized, how does one resist? For Basel, the camera is a weapon in the fight to preserve his community of Masafer Yatta. No Other Land is an unflinching documentary of settler violence, created by two Palestinians and two Israeli filmmakers. What they capture is undeniable. On this episode of Celebrating Cinema, Basel and Yuval join Elliot for a powerful conversation about living under separate laws of the same state. They discuss their role as storytellers, connecting the fractured pieces of this crime, and uncovering the emotional truth behind life under occupation. Through their lenses, they expose Israeli state policies fuelling land grabs and illegal occupation, while underscoring the urgent need to document and bear witness. Book tickets to No Other Land Book tickets CC Film Club: Juice Book tickets to The Raoul Peck Collection

To mark the release of Francis Ford Coppola’s Megalopolis, a 40-year passion project with a staggering $120 million price tag, we turn our attention to cinema’s most audacious, eccentric, and underappreciated visions — the “ugly ducklings” that, against all odds, have found their place in the cultural canon. This episode explores the daring, often misunderstood passion projects of filmmakers who, like Coppola, have risked everything to bring their boldest dreams to the screen.From extravagant failures to cult masterpieces, we examine why cinema desperately needs these fearless auteurs, willing to gamble their careers and fortunes for the sake of their art. We also delve into the curious phenomenon of these “megalomaniac” films — why it often takes decades for them to be properly appreciated, and how audiences can learn to embrace even the most challenging works, regardless of whether they “succeed” on traditional terms. Through these cinematic oddities, we celebrate the vital necessity of creative ambition, the glory of artistic missteps, and the long road to recognition that only the most daring films must travel.Book tickets to Megalopolis @ LAB111Book tickets to Hugo's Megalomania Program Show Notes and Films Mentioned

When 26 royal treasures from the Kingdom of Dahomey (modern-day Republic of Benin) would finally be returned from France, filmmaker Mati Diop was granted rare access to document this historic moment. Dahomey, Mati's deeply moving and thought-provoking documentary, is the result of that access—a cinematic meditation that not only chronicles the repatriation of these artefacts but also imagines the voices of the objects themselves while focusing on the emotional responses of the Beninese people.  Building on the genre-defying spirit of her debut Atlantiques, Mati uses this personal and collective journey as a lens to explore the themes of return, restitution, and memory. Again weaving together fiction and reality in search of deeper truths. In conversation with host Elliot, Mati reflects on the making of Dahomey, the cultural significance of the treasures' homecoming, and the profound, ongoing relationship between history, identity, and filmmaking.