Love Island: The Morning After

Need some energy this Monday? Lucky for you super-fan David Potts joins Amy Hart and Indiyah Polack for a good old juicy debrief on last nights action... and it gets chaotic!  Was Kaz serious about being friends with benefits with Luca? What did we make of the gorgeous India being dumped from the Villa? Plus who does David wish he was bestie's with if he was out in the South African sun?  And as two new bombshells Grace and Ron enter the villa, we pick which couples might be in trouble....  'Love Island: the Morning After' is produced by Amy Elizabeth and edited by Phill Deacon for Lifted Entertainment.

Join Amy Hart, Indiyah Polack and Season 2 stunner Alex Bowen as they disect the Villa drama.  As Tina was an actual Bridesmaid for Alex (and Olivia), he reveals who he's convinced will stand the best chance of coupling up with her.  Meanwhile as Kaz struggles to keep "putting herself out there" Alex has some wise words of wisdom... 'Love Island: the Morning After' is produced by Amy Elizabeth and edited by Phill Deacon for Lifted Entertainment.

Amy Hart, Indiyah Polack and Alex Bowen have some advice for Ronnie... apologise twelve times!  After kissing Elma and Kaz, did Ronnie do the right thing by picking Elma in the recoupling? Will Elma be willing to give him another chance?  Plus as a former Islander of bombshell Tina, Alex gives his predictions on who she'll go for and offers advice on how he's made true love last with Olivia.... 'Love Island: the Morning After' is produced by Amy Elizabeth and edited by Phill Deacon for Lifted Entertainment.

Amy Hart, Indiyah Polack and Alex Bowen spend the morning debating... how much can you really learn about someone from a kiss?  Triangles are developing in the Villa and we're not sure how exactly we want this to play out! Was Kaz trying to make Curtis jealous by kissing Ronnie? Was their lip action too soon after Elma and Ronnie shared a moment? Or, is all fair in love and... Love Island?  'Love Island: the Morning After' is produced by Amy Elizabeth and edited by Phill Deacon for Lifted Entertainment.